![]() Then again, the massive 13 minute epic slough “Eternal Rest” has more of a traditional frosty blackened character to it, combined with a rhythmically nuanced set of drum beats eventually gives way to a blasting blizzard right out of the Emperor playbook. On the one hand, the thudding colossus “Into Wooded Hollows” slams the gauntlet down in a very direct fashion, the dank, slow-trudging feel it adopts is almost akin to death/doom offering, complete with a correspondingly guttural groaning vocal approach. While the split between atmospheric tapestries of sound and rage-infused explosions into black metal mayhem on this album is just about equal, the approach in reconciling them to each other takes on more of an asymmetrical character not all that dissimilar to the progressive musings common to Opeth and Agalloch. His compositional prowess even extends into the arrangement of live classical instruments, as a pair of violinists and a flautist appear in a guest capacity to augment the atmospheric keyboard passages littering this album, with the haunting Middle Eastern stylings of the instrumental aside “Embered Waters” taking on a particularly vivid character despite its abstract presentation. Likewise, his work is further differentiated by a virtuoso level of competency at each of his instruments, most specifically the piano, and the streams of notes that are featured on the more serene instrumental offerings heard on here such as the opening prelude “The Night Winds Of Avila” and the extended interlude “The Moon Isabelline” betray a level of inspiration that one might attribute to Chopin or Brahms. In contrast to Midnight Odyssey and various other past and current projects of Queensland native Dis Pater, Waldorf’s outfit ventures regularly into the live setting and consists of five persons when on stage, though the studio creations that come about are almost completely his own. ![]() Though the pursuits of Melbourne-based multi-instrumentalist and compositional mastermind Waldorf involve treading a more impact-based path, his sparse output under the Aquilus moniker since 2005 has been similarly otherworldly in scope, and his latest venture into dark and hidden crevices of nature dubbed Bellum I is no exception. The Land Down Under has proven a fertile planting ground for the seeds of solitary extreme metal outfits to blossom into purveyors of a type of sonic eclecticism that is particularly unique, with atmospheric black metal projects such as Midnight Odyssey and Mesarthim offering up highly involved tapestries of existential sorrow and rage. Though there is definitely something to be said for the quality of creative results stemming from a consensus of several members of a band, lately it seems that a growing number of one-man projects, particularly in the black metal scene, are making the most auspicious strides into new and exciting territory. ![]() Thinking outside the box and conjuring up something that is truly original is often a task best suited to a single individual. ![]()
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